The last few days reminded us once again of how great it is to be in London as the city continues on its path to being the most creative Capital in the world.
Holly-Anne Rolfe from our Brand Development team, Conran & Company, takes us on a short tour of two fabulous events she visited yesterday that could only take place in our great City.
First off a meeting near the Clerkenwell Design Week event meant I could take a look around the open-air displays and exhibitions and see lots of things I had been reading about since the Milan Furniture Fair last month.
I loved the branding for the Design Week this year, really fun, and it’s so nice to see a creative community ‘at work’.
Wandering past St John’s Square I was drawn in by a man on an old Routemaster and the Forest of Lights installation of giant floor lamps showcasing new illustrations from some of the most cutting edge illustrators around.
I recognised the ice cream cloud van from last year’s RCA graduate show – although this time they seemed to be without a vital ingredient.
The new Nissan cube on display also provided another Conran memory: our redesign of this classic automobile a few years ago.
I was desperate to try the ‘chairless’ after seeing pictures of people sitting cross-legged in these brightly coloured contraptions all over the blogosphere and reading about Natasha from Conran Contracts trying one out in Milan. The Vitra showroom on Clerkenwell Road was full of people looking slightly sheepish as they stepped up to the platform to try this deceptively simple device. It’s pretty good – after a bit of shifting around – and a must for summer festival going.
The Farmiloe building was impressive; a great ex-industrial space perfect for showcasing lots of interesting lighting and furniture. I particularly liked the FlexibleLove models in the courtyard space: pieces that unfold like an accordion made from recycled materials that can be adapted for small or larger groups, great for impromptu gatherings in the garden.
The Design Museum had a selection of their designers in residence there too – I remembered Asif Khan’s Harvest chair from its time in the Design Museum tank on the riverside near our offices.
Next thing I was whizzing over to West London for the private view of SHOW 1 of this year’s Royal College of Art Graduate Exhibition 2010 sponsored by Terence’s Conran Foundation.
Trying to cross London in a humid rush hour is never fun – especially with no trains going Westbound on the Circle Line.
After an impromptu visit to Edgware Road and a hop on the no 27 bus I entered the RCA building underneath the bright vermillion ‘H’ and was immediately reminded of the last time I set foot in this illustrious institution – when CONRAN sponsored the private view of Show 2 last June which I helped organise. Slightly less stress on this occasion I’m glad to say!
Eleanor Bolton’s bold statement necklaces made from coiled up rope were absolutely gorgeous. A friend made a comment that you’d think could easily sum up these strange objects (‘noose’, I believe) but in actual fact they were delightfully light and squashy to the touch, like those large, spirally marshmallows.
The hybrid objects created by Jasleen Kaur as part of her ‘britesh’ range investigating the cultures of Britain and India were also very intriguing – like a weird 3d version of a consequences game knives and forks were topped or tailed with paint brushes or spoons; a smart pair of city shoes were crossed with flipflops – smart-casual taken to the extreme.
Terence had visited the show earlier in the day and had the following words of advice for our young creatives.
At a time when headlines seem endlessly made by MP’s expenses, bankers bonuses and a failing economy, we need our young artists and designers to shine more brightly than ever. We need you to be optimistic, brave and have a tenacious belief in your work because the creative industries are vital to the UK economy. We want you to be confident and help create a future that works, looks fantastic and has a very human centre.
Free beer this time too – thanks Terence!
GO AND SEE FOR YOURSELF THIS WEEKEND
SHOW ONE
28 May – 6 June, 11am–8pm daily, free admission
Ceramics & Glass; Goldsmithing, Silversmithing, Metalwork & Jewellery; Photography and Printmaking
Royal College of Art
Kensington Gore
London SW7 2EU
Conran on London: The Skyline..(and a good thing to do at the weekend)
“Skyscrapers back on the horizon” – a piece in the London Evening Standard on April 30th about the revival of skyscrapers on the London skyline caught our eye.
Developers, it seems, are pushing forward with schemes worth a total of more than 9 billion because of a shortage of office space and a growing demand for residential space.
We asked our resident Conran & Partners postcard writer Paul Zara for his take on the sudden resurgence of the skyscraper:
The suggested resurgence of towers on the London skyline is as surprising as it is amazing. Just when we all thought the new Towers of London were shelved forever (or at least for a decade or two) while we crawled our way out of recession, they have reared their heads again, so soon after the world collapsed.
The London skyline has changed so much over the last century, and not always for the better, but, as any architect working in this city knows, it’s now so hard to get a big proposal approved that by the time a scheme gets the green light we should have no concerns about the level of scrutiny it has experienced. What other city has three planning authorities to satisfy? Tall Buildings have to go through the local planning authority, (whichever London Borough they sit in), plus CABE and the GLA. (If you don’t know what these initials stand for try Google).
CABE and English Heritage have guidelines on how to assess tall buildings and Boris has his own views (less supportive than Ken’s of these huge erections). And we have a choice. Say yes to them as long as they demonstrate their appropriateness and quality, or say no and stagnate. And stagnate we surely will if we reject change. London does not have to be a leading financial centre, but it ought to be. We can compete, and with buildings of the highest quality by the best architects we show the world that design matters. At Conran this is a core belief in our business, and the London skyline can be part of that. This silhouette of London now contains the London Eye and the Gherkin (It’s nothing like the shape of a gherkin). Let’s keep that change happening and demonstrate to the world that London truly is its design capital.
Conran Columns: Tips for a great London Weekend
Can you believe it? Tate Modern is 10! Head down there this weekend for a fun-packed few days of family fun and art events for all!
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